>>Hey Richard,
>>Did you ever hear Randy Newman's "Bad Love" >>especially "I'm Dead but I don't know it"?
I'm not sure whether to take that as a recommendation, insult or confession =o)
>>It just seems like it would be appropriate, not to mention
>>I believe Tchad Blake was involved with TNMC or was it >>Blair Lamb?, Another producer that I have mentioned >>before on this board was Butch Vig - I guess somone who >>can handle the darker material as well as the humorous or >>heartfelt...JW
They could all be contenders...one quality I'd like to see in whoever produces upcoming projects is that they can follow DB's muse - whether it's playing dark rock, german caberet or just an acoustic jangle.
In that respect, my only (constructive) criticism of `Bedtime Stories` is that it's too much of it's time. They're great songs but the heroic LA production values hinders it for me on a few tracks. IMO `AFM` will age well (it'll be stacked next to `Blood On The Tracks` in my case!) but to bring in a mainstream producer like Froom is good for radio play but bad if longevity is one of the orders of the day.
To deviate topics a little (before this turns into a handbag fight) do you think `Triage` could/should be made into a musical of sorts? (When I say musical I'm thinking more Brecht and Weil than Andrew Lloyd Weber) I recall David making the reference to that kind of German caberet and a number of the songs could be delivered with the same passion and depth as `The Threepenny Opera`. Anybody wanna relive the 1980's and early 90's????!!!!!!
Adios,
Richard
R
richard
(view)
>>Hey Richard,
>>Did you ever hear Randy Newman's "Bad Love" >>especially "I'm Dead but I don't know it"?
I'm not sure whether to take that as a recommendation, insult or confession =o)
>>It just seems like it would be appropriate, not to mention
>>I believe Tchad Blake was involved with TNMC or was it >>Blair Lamb?, Another producer that I have mentioned >>before on this board was Butch Vig - I guess somone who >>can handle the darker material as well as the humorous or >>heartfelt...JW
They could all be contenders...one quality I'd like to see in whoever produces upcoming projects is that they can follow DB's muse - whether it's playing dark rock, german caberet or just an acoustic jangle.
In that respect, my only (constructive) criticism of `Bedtime Stories` is that it's too much of it's time. They're great songs but the heroic LA production values hinders it for me on a few tracks. IMO `AFM` will age well (it'll be stacked next to `Blood On The Tracks` in my case!) but to bring in a mainstream producer like Froom is good for radio play but bad if longevity is one of the orders of the day.
To deviate topics a little (before this turns into a handbag fight) do you think `Triage` could/should be made into a musical of sorts? (When I say musical I'm thinking more Brecht and Weil than Andrew Lloyd Weber) I recall David making the reference to that kind of German caberet and a number of the songs could be delivered with the same passion and depth as `The Threepenny Opera`. Anybody wanna relive the 1980's and early 90's????!!!!!!
Adios,
Richard
>>Did you ever hear Randy Newman's "Bad Love" >>especially "I'm Dead but I don't know it"?
I'm not sure whether to take that as a recommendation, insult or confession =o)
>>It just seems like it would be appropriate, not to mention
>>I believe Tchad Blake was involved with TNMC or was it >>Blair Lamb?, Another producer that I have mentioned >>before on this board was Butch Vig - I guess somone who >>can handle the darker material as well as the humorous or >>heartfelt...JW
They could all be contenders...one quality I'd like to see in whoever produces upcoming projects is that they can follow DB's muse - whether it's playing dark rock, german caberet or just an acoustic jangle.
In that respect, my only (constructive) criticism of `Bedtime Stories` is that it's too much of it's time. They're great songs but the heroic LA production values hinders it for me on a few tracks. IMO `AFM` will age well (it'll be stacked next to `Blood On The Tracks` in my case!) but to bring in a mainstream producer like Froom is good for radio play but bad if longevity is one of the orders of the day.
To deviate topics a little (before this turns into a handbag fight) do you think `Triage` could/should be made into a musical of sorts? (When I say musical I'm thinking more Brecht and Weil than Andrew Lloyd Weber) I recall David making the reference to that kind of German caberet and a number of the songs could be delivered with the same passion and depth as `The Threepenny Opera`. Anybody wanna relive the 1980's and early 90's????!!!!!!
Adios,
Richard
posted 2001.04.26
posted on April 26th 2001
-
"music" and "characters" – jeff_wells on April 18th, 2001-
The Music – Block on April 23rd, 2001
SuperCorpocratic, etc... – Baerwald on April 22nd, 2001-
Fine, Another – jeff_wells on April 26th, 2001
Re: Super Corpocratic, etc. – Anonymous on April 26th, 2001
I'll have a go... – Kathryn on April 19th, 2001-
Paddy back story – Dan on April 19th, 2001-
Paddy Sighting... – Anonymous on April 20th, 2001-
Chayefsky – jeff_wells on April 20th, 2001
rapid returns program – brent on April 19th, 2001
-
-
-
