We've set up this place, this very welcoming place, wherein the child/adult person who is the focus of our narrative can feel at home, and in which many of the characters in our demographically driven narrative have had their proverbial cherries popped. But that was season one.

Now how do we enter season two?

Idea:

Season two:

Burn it.

But not too badly.

But who shall burn it?

Someone new.

Much of the new season, then, shall be given to acts of rebuilding--in terms of both characters and scenery.

But, sadly, the cherries never return--and isn't that the heart of drama?

Herring405