New Page 2He Hasthe high-boned taut-toned moody ink-eyes
beautysome men lead a girl to hell with whistling
all the while.Or say her every step displays the little
jump-start jazzin her ass that a boy's gaze superglues to,
even overbroken glass, humiliation, fiscal ruin.
The eyebetrays us daily. The eye, and the
frame we bringto our seeing. On the beach: that
beautiful cartoucheof a raw-sienna feathering and pucker is--step
back--the fatal sear of a jellyfish whip across
the chestof one more luckless tourist. Try to
tell her husbandhow museum-worthy you find the design of
her death.Is the beauty the glutinous spiral of fish
guts; or the voluminous screw-thread
spiraling-down of the gullsto gorge? Proximity determines so
much.When you're twelve you dream of "going to
war," and not of it coming to you. - - - - - - - - - - - - - - - - - Marble-Sized SongDoes she love you? She says
yes, but really, how do you know unless you undress that
easy assertion,undoing its petals and laminae, and going
inbelow all trace of consciousness, into the
neuroelectricalcoffer where self-understanding is storaged
away,and then lifting its uttermost molecule
out, to studyin its nakedness as it spinsin a clinical light?--the waywe all, in our various individual versionsof this common human urge, go in,to the string-vibration underlying matter,
and the Appalachia fiddler getting so(as she puts it) "into my music," sound
becomesa flesh for her to intimately ("in"-timately)enter, "its thick and its sweetbreads."Is he cheating on you? He says
no, and feigns that he's insulted, but for certaintyyou'll need to delicately strip the bark
awayand drill, and tweeze, until you can smear
a microscope slideof the pith and can augur the chitterlings--the way the philosopher can't accept the
surfaceassumption of truth, but needs to peel backthe fatty sheen of the dermis, soak the
cambium layerinto a blow-away foam, and then with pickand lightbeam helmet, inch by inch beginspelunking through those splayed-out
cavernsunder the crust, where gems of cogitation
are buried--the way the diver descends for the pearl,the miner: in, the archaeologist: in, the
therapist: downthe snakier roots of us and in, and in, the
waythe long, leg-pretzeled yogi makesa glowing bathysphere of worldliness and
sends it in,and further in, tinier and heavier and ever
in,the way the man in the opium den is
floating forevertoward a horizon positioned in the center
of the centerof his head . . . . If we could stand
beyond the borderof our species and consider us objectively,
it might seemthat our purpose in existing is to be a
living agencythat balances, or maybe even slows, the
universe's irreversible expansion out, and out . . .
and eachof us, a contribution to that task.My friend John's wife received the http://news: a
"growth," a "mass," on her pituitary, marble-sized,
mysterious.And the primary-care physician said: yes,we must go in and in. That couldn't be
the final word!And the second-opinion physician said: yes,my sweet-and-shivering-one,my fingerprint-and-irisprint-uniqueness,someone's-dearest, youwho said the prayers at Juliette's grave,
who droveall night from Switzerland with your
daughter, youon this irreplaceable day in your
irreplaceable skinin the scumbled light as it crosses the bay
in Corpus Christi,yes in the shadows, yes in the radiance,yes we must go in and in. --Both poems by Albert Goldbarth, from his
book To Be Read in 500 Years
H
Herring405(view)
New Page 2He Hasthe high-boned taut-toned moody ink-eyes
beautysome men lead a girl to hell with whistling
all the while.Or say her every step displays the little
jump-start jazzin her ass that a boy's gaze superglues to,
even overbroken glass, humiliation, fiscal ruin.
The eyebetrays us daily. The eye, and the
frame we bringto our seeing. On the beach: that
beautiful cartoucheof a raw-sienna feathering and pucker is--step
back--the fatal sear of a jellyfish whip across
the chestof one more luckless tourist. Try to
tell her husbandhow museum-worthy you find the design of
her death.Is the beauty the glutinous spiral of fish
guts; or the voluminous screw-thread
spiraling-down of the gullsto gorge? Proximity determines so
much.When you're twelve you dream of "going to
war," and not of it coming to you. - - - - - - - - - - - - - - - - - Marble-Sized SongDoes she love you? She says
yes, but really, how do you know unless you undress that
easy assertion,undoing its petals and laminae, and going
inbelow all trace of consciousness, into the
neuroelectricalcoffer where self-understanding is storaged
away,and then lifting its uttermost molecule
out, to studyin its nakedness as it spinsin a clinical light?--the waywe all, in our various individual versionsof this common human urge, go in,to the string-vibration underlying matter,
and the Appalachia fiddler getting so(as she puts it) "into my music," sound
becomesa flesh for her to intimately ("in"-timately)enter, "its thick and its sweetbreads."Is he cheating on you? He says
no, and feigns that he's insulted, but for certaintyyou'll need to delicately strip the bark
awayand drill, and tweeze, until you can smear
a microscope slideof the pith and can augur the chitterlings--the way the philosopher can't accept the
surfaceassumption of truth, but needs to peel backthe fatty sheen of the dermis, soak the
cambium layerinto a blow-away foam, and then with pickand lightbeam helmet, inch by inch beginspelunking through those splayed-out
cavernsunder the crust, where gems of cogitation
are buried--the way the diver descends for the pearl,the miner: in, the archaeologist: in, the
therapist: downthe snakier roots of us and in, and in, the
waythe long, leg-pretzeled yogi makesa glowing bathysphere of worldliness and
sends it in,and further in, tinier and heavier and ever
in,the way the man in the opium den is
floating forevertoward a horizon positioned in the center
of the centerof his head . . . . If we could stand
beyond the borderof our species and consider us objectively,
it might seemthat our purpose in existing is to be a
living agencythat balances, or maybe even slows, the
universe's irreversible expansion out, and out . . .
and eachof us, a contribution to that task.My friend John's wife received the http://news: a
"growth," a "mass," on her pituitary, marble-sized,
mysterious.And the primary-care physician said: yes,we must go in and in. That couldn't be
the final word!And the second-opinion physician said: yes,my sweet-and-shivering-one,my fingerprint-and-irisprint-uniqueness,someone's-dearest, youwho said the prayers at Juliette's grave,
who droveall night from Switzerland with your
daughter, youon this irreplaceable day in your
irreplaceable skinin the scumbled light as it crosses the bay
in Corpus Christi,yes in the shadows, yes in the radiance,yes we must go in and in. --Both poems by Albert Goldbarth, from his
book To Be Read in 500 Years